Michael has pretty much perfected the art of concert and backstage fashion photography on film, which for the most part feature harsh artificial lights and/or mixed white balance stuff.
Unlike other film photographers he doesn’t seem to have a problem with it. The guy just shoots with all his passion (AND meters like a boss!) and just sends us his rolls from whatever part of the world he’s currently in.
We scanned this a while ago and though it was about time to publish it so we can all start to brake a couple of myths about film photography.
So yeah, film looks amazing on a really bright sunset on a beautiful hill (with backlit olive trees ‘n stuff), but when shot correctly on the worst artificial light situation you can get pretty amazing stuff too… ask Michael about it 😉
* All images shot on Contax 645 with Kodak Portra 400 ( not pushed, in case you were about to ask ).