{"id":94765,"date":"2026-04-16T13:32:39","date_gmt":"2026-04-16T11:32:39","guid":{"rendered":"https:\/\/carmencitafilmlab.com\/blog\/harman-phoenix-o-bom-o-mau-e-o-vilao\/"},"modified":"2026-04-16T13:32:51","modified_gmt":"2026-04-16T11:32:51","slug":"harman-phoenix-o-bom-o-mau-e-o-vilao","status":"publish","type":"post","link":"https:\/\/carmencitafilmlab.com\/pt-pt\/blog\/harman-phoenix-o-bom-o-mau-e-o-vilao\/","title":{"rendered":"Harman Phoenix. O bom, o mau e o vil\u00e3o"},"content":{"rendered":"

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So, here it is! By the time you are reading this, unless you were living inside a digital cave, you know Ilford<\/span> Harman, <\/strong>the British film manufacturer that we\u2019ve known for years for their B&W timeless emulsions, has changed the game by releasing a C41 emulsion,<\/strong> a global release that took everyone by surprise.<\/p>\n

If you had told me 10 years ago I’d see Ilford<\/span> Harman color film, I would have told you to stop dreaming and to go get some ColorPlus at 2,95\u20ac.<\/p>\n

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IMPLICATIONS IN THE FILM INDUSTRY<\/h5>\n

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From our point of view, as a small player in the film photography world, this is without a doubt a positive event.<\/strong> A new color film manufacturer diversifies the sources from which film can be produced, sending a message that film is more alive than ever<\/strong> (since digital photography was released, of course).<\/p>\n

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But not all that shines is gold. There are some important flaws in this film<\/strong> that should be acknowledged and addressed. There are already countless articles, videos, and posts about this film, but we feel, as a lab, we owe film photographers a deeper dive into this particular emulsion and not just take it \u201cas is.\u201d We are not going to sugarcoat this one; we want to show you the good, the bad, and the ugly.<\/strong> Let\u2019s begin!<\/p>\n\n