![\"\"](\"https:\/\/carmencitafilmlab.com\/wp-content\/uploads\/1-de-Hari-Maio-10.jpg\")
<\/p>\nO ano de 2020 foi, provavelmente, o mais importante das nossas vidas. O planeta foi atingido por uma pandemia quase sem precedentes e o LX Factory, em Lisboa, atingido foi por uma nova onda anal\u00f3gica, esperamos tamb\u00e9m que sem precedentes!<\/p>\n
Aqui est\u00e1 o resultado e um breve resumo do que foi passando pelas nossas m\u00e3os e pelos nossos scanners o ano passado. Sem podermos viajar pelas limita\u00e7\u00f5es de seguran\u00e7a e sem sair das nossas cadeiras, foi um absoluto prazer correr o mundo atrav\u00e9s dos vossos incr\u00edveis disparos, estaremos sempre gratos por isso e pela vossa confian\u00e7a no nosso trabalho. ❤️<\/p>\n
Ainda mal recuperados dos efeitos da pandemia e em pleno estado de confinamento, preferimos muito mais olhar para o futuro e pensar no que est\u00e1 por vir, como tal e assim que nos for poss\u00edvel, vamos p\u00f4r m\u00e3os \u00e0 obra para melhorar, chegar mais longe e a mais gente, sempre com a preocupa\u00e7\u00e3o de entregar o melhor trabalho poss\u00edvel. \u00c9 com um enorme positivismo e apesar de todas as condicionantes pelas quais ainda hoje passamos, que olhamos para 2021 e estamos 100% seguros que tudo vai melhorar: definitivamente o filme n\u00e3o morrer\u00e1, o v\u00edrus seguramente sim.<\/p>\n
Abra\u00e7os da equipa Carmencita Lisboa<\/p>\n
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2020 was probably the most important year of our lives, while the planet was hit by a relentless pandemic, to our surprise LX Factory in Lisbon, was hit by a new analogue wave!<\/p>\n
Here are the results and a brief summary of what went through our hands and scanners last year. Without being able to travel due to safety restrictions, it was an absolute pleasure to travel the world through your incredible shots, from the comfort of our chairs. We will always be grateful for that and for your unbelievable confidence in our work. ❤️<\/p>\n
With an ongoing global pandemic and amidst a full lockdown, we would rather look to the future in a positive way and think about what is to come. We will continue on working to improve, reach further and towards more people, always with the concern of delivering the most outstanding work possible. Despite all limitations, we look at 2021 with extreme positivity and we are 100% sure that everything will improve because film will definitely not die, the virus certainly will.<\/p>\n
Hugs from Carmencita Lisboa<\/p>\n
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Hari Maio – Leica Minilux Zoom<\/p>\n
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![\"\"](\"https:\/\/carmencitafilmlab.com\/wp-content\/uploads\/2-de-Capa-Elisabete-Magalhaes-108-1.jpg\")
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Elisabete Magalh\u00e3es<\/a> – Canon A1 + Portra 400<\/p>\n <\/p>\n Diogo Coelho<\/a> – Leica M6 TTL + Portra 400<\/p>\n <\/p>\n Rosa da Silva<\/a> – Nikon F90 + Ektar 100<\/p>\n <\/p>\n Angelika Dupuis<\/a> – Contax 645 + Fuji 400H<\/p>\n <\/p>\n Brecht De Vleeschauwer<\/a> – Leica Minilux + Ilford HP5<\/p>\n <\/p>\n Eduardo Montenegro<\/a> – Mamiya 645 + Portra 400<\/p>\n <\/p>\n Lennart Oser<\/a> – Nikon 35Ti + Portra 400<\/p>\n <\/p>\n Tobias Ilsanker<\/a> – Pentax 6×7 + Portra800<\/p>\n <\/p>\n Mitchel Leestemaker<\/a> – Canon AV1 + Superia 400<\/p>\n <\/p>\n Rodrigo Vargas<\/a> – Mamiya RZ67 ProII + Portra 400<\/p>\n <\/p>\n Cl\u00e1udio Nunes<\/a> – Nikon F6 + Portra 400<\/p>\n <\/p>\n Joel da Palma<\/a> – Mamiya RZ67 PROII + Ilford HP5<\/p>\n <\/p>\n Olga Moreira<\/a> – Nikon F65 + Portra 400<\/p>\n <\/p>\n Peggy Heart – Contax G1 + Fuji 400H<\/p>\n <\/p>\n Gregory Harris<\/a> – Contax G2 + Portra 400<\/p>\n <\/p>\n Jusob Rafique<\/a> – Minolta SRT-201 + Kodak Pro Image 100<\/p>\n <\/p>\n Alice Vicente<\/a> – Contax 645 + Fuji 400H<\/p>\n <\/p>\n Catarina Soeiro<\/a> – Fujica ST701 + Gold 200<\/p>\n <\/p>\n Ant\u00f3nio Tom\u00e1s<\/a> – Konica Hexar RF + Kodak BW400CN<\/p>\n <\/p>\n Diogo Almeida<\/a> – Bronica RF645 + Fuji 400H<\/p>\n <\/p>\n Ulyana Fedorova<\/a> – Canon EOS 33 + Kodak Gold 200<\/p>\n <\/p>\n Rafael Faria<\/a> – Yashica T5 + Portra 400<\/p>\n <\/p>\n Pedro Ferreira<\/a> for Sublime<\/a> – Nikon F5 + Portra 400<\/p>\n <\/p>\n Olga Shatokha<\/a> – Olympus Mju I + Portra 800<\/p>\n <\/p>\n Maria Rita<\/a> – Mamiya 645 + Portra 400<\/p>\n <\/p>\n Mafalda Carapeto<\/a> – Canon AE-1 – Rollei Retro 400s<\/p>\n <\/p>\n Pete Fielding<\/a> – Yashica Electro 35 CC + Kodak Gold 200<\/p>\n <\/p>\n Diane Sotero<\/a> – Contax 645 + Fuji 400H<\/p>\n <\/p>\n Robert Arthur<\/a> – Canon AE-1<\/p>\n <\/p>\n Connor Scott<\/a> – Minolta AF 7000 + Portra 400<\/p>\n <\/p>\n Lana Al Zouheiri<\/a> – Minolta X700 + Portra 400<\/p>\n <\/p>\n Sharon Pannen<\/a><\/p>\n <\/p>\n Lu\u00eds Rosmaninho<\/a> – Nikon F2 + Portra 400<\/p>\n <\/p>\n Sofia Gomes<\/a> – Nikon F65 + Fujicolor 400<\/p>\n <\/p>\n Gabriel Tamez<\/a> – Nikonos-V + Portra 400<\/p>\n <\/p>\n Jo\u00e3o Hasselberg<\/a> – Pentax 6×7 + Portra 400<\/p>\n <\/p>\n Lu\u00eds Moreira<\/a> – Mamiya 7 + Portra 400<\/p>\n <\/p>\n Filipe Pinto<\/a> – Nikon F100 + Ultramax 400<\/p>\n <\/p>\n![\"\"](\"https:\/\/carmencitafilmlab.com\/wp-content\/uploads\/3-de-Diogo-Coelho-128-1.jpg\")
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